than we do
I know, because I do the same thing to myself. My inner critic is always there, whispering in a low voice. It always knows what to say, where to strike where it will hurt the worst. But, instead of giving in, I choose to ignore it whenever possible.
© Sarah Doughty
Who is my audience? As an author there is not a day that goes by that I am not asking myself this question. I have, I think come to a decision on it. My children’s books: the audience is fairly obvious. Children. I really write them for my daughter (and now my grandson). Which is why I believe that the third bedtime stories will be mid grade. The first two were stories written for her when she was small. The third started for a preteen. (And now she is helping me write it. She was suggesting ideas for the story and is looking forward to hear it when it is done. She refused me reading it until then.) But I write more than just children’s books.
My poetry I have always written for me. So do I really have an audience for it? Yes, and no. It is always going to be how I cope with the world… It is more that then it is written for a particular audience. That being said, the reason why I published it is because my coping mechanisms can possibly help someone else who may be in a bad place. Or not, I am not sure it matters there. My poetry is the clearest view inside of my soul. To tell the truth I publish it because I can. I have lost so much of my poetry over the years… This is the way of preserving it digitally so I will not lose anymore.
Last but not least, there is Serena’s stories. Anything that I write that is adult in nature will be published under Serena Mossgraves. Currently that seems to be horror. I am not sure if it all will be… I just know that I will not be doing erotica… It embarrasses me to write it. So I figure her audience will be adults, preferably who enjoy what I write.
All seems simple enough. I only hope that I am able to create a story that someone likes.
Well, I am on a ball. So I have been considering what I should do with “Death of Neverland ” and the other Novella “Madness & Truth” that I nearly have done. Mind you both are releases from Serena Mossgraves. I have put in a good bit of thought. While I am fine with releasing a Novella for the Kindle as a stand alone, doing such for paperback is not something I feel comfortable with. However, I will release a paperback with both Novellas instead.
Likely to be released around the same time as Madness & Truth. I will do a update closer to the release. I was merely wanting to share the cover idea for now. Madness & Truth should be ready for the editor by the end of June. I will be hopefully able to release it by the end of July. Check back for further information as I am able.
Recently I asked for advice on my poetry… And it got me thinking. The advice was given that I need to add smilies and metaphors in my poetry, because there is no poetry with out it. Now mind you I added some images, but some poems just do not work with either. I feel like I am missing something by refusing to accept that all poetry must have either of the two options. But, then I start to question… Who is writing the poem?
Yes, I employ both in my poems, but not always. Some poems are just emotions in written form. If all poetry was just comparison then where is the original ideas? Images do not have to be a comparison to be evocative. Sometimes the more you compare the emotional state with something else, the more you lose of the original idea.
Do not get me wrong… I am grateful for the opinions offered, after all it made me look closer at what I was writing and add more imagery. I however am not sure that I am willing to completely change my voice because it doesn’t fit another person’s idea of what poetry should be.
What do you expect when you read poems? Which of the poetry styles /rules are a hard and fast thing for you? Please do respond. I would love to discuss this idea further.